Frieze is a media and events company that comprises three publications, frieze magazine, Frieze Masters Magazine and Frieze Week; and four international art fairs, Frieze London, Frieze LA, Frieze New York and Frieze Masters; a programme of courses and talks at Frieze Academy, and frieze.com – the definitive resource for contemporary art and culture.

History
Frieze was founded in 1991 by Amanda Sharp, Matthew Slotover and Tom Gidley with the launch of frieze magazine, a leading magazine of contemporary art and culture. Sharp and Slotover established Frieze London in 2003, one of the world’s most influential contemporary art fairs which takes place each October in The Regent’s Park, London. In 2012, Frieze launched Frieze New York taking place in May; and Frieze Masters, which coincides with Frieze London in October and is dedicated to art from ancient to modern. In 2019, Frieze opened its first edition in Los Angeles at Paramount Pictures Studios, taking place in Februrary.

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UNTITLED, ART is an international, curated art fair founded in 2012 that focuses on curatorial balance and integrity across all disciplines of contemporary art. UNTITLED, ART innovates the standard fair model by selecting a curatorial team to identify and curate a selection of galleries, artist-run exhibition spaces, and non-profit institutions and organizations, in dialogue with an architecturally designed venue. The next edition of UNTITLED, ART San Francisco will take place January 17 – 19, 2020 at Pier 35, 1454 The Embarcadero.

Jeffrey Lawson is the Founder and owner of Art Fairs Unlimited, LLC, UNTITLED, ART and ELEMENTS Global Trade Show, LLC. Lawson has produced and consulted on large-scale trade shows globally for the past 12 years. In 2010, Lawson founded Elements Showcase. In 2012, he established UNTITLED, ART which launched in December 2012 on the sands of Miami Beach at Ocean Drive and 12th Street, and debuted on the West Coast in San Francisco in January 2017.

In July 2017 UNTITLED, ART appointed Manuela Mozo as Director to lead the international development of UNTITLED, ART and oversee the curatorial and strategic vision of the fairs in Miami and San Francisco. Manuela Mozo was a partner at Simon Lee Gallery from 2013, where she established the gallery’s office in New York. Prior to this, Manuela was a Director at Metro Pictures and Skarstedt Gallery, both in New York. Manuela holds a Masters in Contemporary Art Theory and Cultural Studies from New York University and currently sits on the advisory board of RxArt.

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Celebrating today’s most significant creatives and leading contributors to the worlds of design and visual arts, the fair assembles 48 leading international galleries; prominent 20th-century and contemporary design dealers; a weekend of exciting programs; and 21POP, a special installation created by Stanlee Gatti.

FOG has become a focal point for the design and arts communities on the West Coast and further afield. The fair is synonymous with a uniquely pioneering spirit due to its bold hybrid approach and intimate presentation of art and design, dynamic programming on-site and its community-led mission to champion art and design in its historic Fort Mason setting. Building on FOG’s longstanding commitment to cultural institutions, the fair’s Preview Gala is honored to continue its crucial support of SFMOMA’s exhibitions and education programs. FOG represents a key moment in which the local and global community congregate to engage in critical dialogue, artistic exchanges, and a shared passion for creative pursuits.

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Parrasch Heijnen is pleased to present Peter Alexander, a correlative selection of the artist’s recent sculpture and wall relief work in conversation with his sea and landscape paintings dating from 1990 – 2019. Alexander’s attention to the energies and forces of light and color discerned through observations of atmosphere and water are defining concentrations of this artist’s six-decade practice.

The core of Alexander’s work has consistently remained focused upon a devoted engagement with light in structural space, evoking the emotive sublime in an opulent exploration of color. Whether looking through paint or resin, depth emerges from thin layers and suspended pigments. The artist’s textural play loosely defines focus and horizon lines, often confusing the viewer’s physical orientation. This brilliance permeates through the work’s precise turns bending light by way of tinted gradations. Alexander’s forms transmit luminous energy in relation to their adjacent negative space, with illusionistic light bursting forth from beneath.

Informed by his architectural background (the artist began his career working as an illustrator for architect Richard Neutra), Alexander perceives the atmosphere around him as an all-encompassing entity. Encouraging his paint in swift motions to naturally settle, he mirrors the unpredictability of celestial phenomena and seduces the viewer into a hypersensitive state inciting a spectrum of emotive visual perceptions. The artist’s translucent urethane objects envelop the viewer in secluded interiors, consciously engaging with surroundings through various monochromatic hues, echoing a sense of cosmic awareness. Both mediums inform the other, quietly interacting with the senses and capturing the passage of time.

Peter Alexander (b.1939, Los Angeles, CA) has been widely exhibited in galleries and museums worldwide since the mid-1960s. Alexander is the recipient of multiple honors and awards including a National Endowment for the Arts Fellowship in 1980 and the California Art Award in 2014. In 1999, the Orange County Museum of Art, Newport Beach, CA mounted a retrospective exhibition In this Light inclusive of painting and sculpture. His work resides in the permanent collections of numerous institutions including: the Museum of Modern Art, New York, NY; the Museum of Contemporary Art, Los Angeles, CA; the Solomon R. Guggenheim Museum, New York, NY; the Walker Art Center, Minneapolis, MN; the Metropolitan Museum of Art, New York, NY; the Los Angeles County Museum of Art, Los Angeles, CA; Fogg Art Museum, Harvard University, Cambridge, MA; and The Getty Museum, Malibu, CA.

Peter Alexander will be on view at Parrasch Heijnen Gallery, 1326 S. Boyle Avenue, Los Angeles, from January 7 – February 1, 2020, with an opening reception taking place on Sunday January 5, from 1-3 pm. For more information, please contact the gallery at +1 (323) 943-9373 or [email protected]

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Legends of Speed is the first major exhibition of racing cars presented at Phoenix Art Museum. Open now through March 15, the landmark exhibition features more than 20 legendary cars by Maserati, Mercedes, Alfa Romeo, Ford, and more, an unprecedented collection of cars driven by some of the greatest drivers in the history of racing, including A.J. Foyt, Dan Gurney, and Stirling Moss.

Featured cars have won many of the world’s most iconic races, including Le Mans, the Indianapolis 500, and the Italian Grand Prix, and were loaned to the Museum by internationally recognized collectors from Arizona and across the United States. Legends of Speed offers an unparalleled opportunity for Museum guests to experience and learn about some of the most successful and famous racecars of all time.

– for more information on additional images from this event please contact EMS at [email protected] or Instagram at @ericminhswenson