Haim Steinbach : Appear To Use. Tanya Bonakdar Gallery. Los Angeles. Photos by EMS

The quotations in my works are like robbers lying in ambush on the highway to attack the passerby with weapons drawn and rob him of his conviction.” – Walter Benjamin, “One-Way Street,” 1928

Tanya Bonakdar Gallery is pleased to announce appear to use, a solo exhibition of Haim Steinbach, on view from March 16 – May 18, 2019 at the gallery’s Los Angeles location. For his first solo exhibition in Los Angeles in over a decade, Steinbach will present a new body of work including objects, sculptures, site-specific installations, wall paintings and language-based work.

Since the 1970s Haim Steinbach has developed a widely influential practice that redefines structures of presentation and investigates the relationship between object and art, object and architecture, culture and language, and collection and display. With nods to the tradition of Duchamp and the conceptual logic of Minimalism, Steinbach’s work redefines the status of the object in art.

In this new exhibition Steinbach builds a site-specific architecture, reconstructing the gallery’s space. Using exposed building materials, such as free-standing stud walls and plasterboard, the artist invites the viewer to rethink the ways in which architecture influences our understanding of object, context, surface, the human body, and the relationships forged between them. Steinbach utilizes these materials as both language and form, engendering an experience where the viewer is invited to navigate the space; raising an awareness to how the body functions in its surroundings, while exploring rhythm, repetition and seriality.

Entering the gallery, the viewer first encounters two works that highlight the artist’s ongoing exploration of language, color and narrative. Untitled (Pantone 17-5641) features a tin box supporting a green rectangle. Display #103—the band if it is white and black the band has a green string includes the quote from Gertrude Stein’s “Tender Buttons.” The quote is integrated into a wall, an architectural construct. It faces the tin box that sits in a handcrafted wooden box.